About the Antique Rugs of the Future Project

Sheep Breeds of Azerbaijan

Sorting, Washing, Carding, Spinning

"The advantages of handspun yarn to machine spun yarn"

Rediscovery of Ancient Natural Dyes
Our Natural Dyestuffs


Difference between synthetically and naturally dyed rugs

Weaving and Finishing Steps

Galleries of ARFP Caucasian Azerbaijani Rugs


back to "Antique Bergama carpets" main page

"Holbein" Ezine Carpet, Western Anatolia (Canakkale region), early XIX century. 5 feet 7 inches x 5 feet 1 inches. SL 70.205.14. McMullan Colelction (published Islamic Carpets, Joseph V. McMullan). 1974.149.24. The Metropolitan Museum of Art, New York

In spite of the existence of identifiable fashions in carpets, characteristic of specific periods and milieus, some carpets reveal the persistence of perennial traditions. While the first category is represented by the art of the court and the urban centers, the second group is formed by the humbler village production.

As demonstrated by Western paintings, there existed since the early fourteenth century numerous carpets whose design consisted of a series of octagons formed by cutting triangular corner pieces from rectangles. These units contained birds or quadrupeds, at first used singly but later on in pairs. The scheme of rectangles with octagons was still adhered to in the sixteenth century, when, probably for reasons of religious orthodoxy, figural elements were omitted and the animals were replaced by complex arrangements of stars. These nonfigural carpets are referred to as large-patterned "Holbein" carpets because they appear in so many of the pictures of Hans Holbein the Younger. In certain instances, the large rectangles were surrounded by a series of smaller ornamental octagons, which formed an inner frame within the actual border. Still another innovation of the sixteenth century was the alternation of the large rectangles with rows of two smaller ones, which brought a welcome change of rhythm into the composition.

This nineteenth-century McMullan carpet incorporates all of these early Anatolian features and is clearly in the tradition of the sixteenth century, the heyday of Anatolian carpet production. But this village rug harks even farther back: it quite unexpectedly includes four pairs of birds in the large center unit, while each of the four smaller octagons contains two summarily treated pairs and two vestigial pairs at the sides.
In its well-matched colors and balanced composition this simple carpet fully satisfies aesthetic demands for a decorative, warming floor covering, but it contains another dimension as well its remembrance of an earlier type.